It's early summer when Ginny and William's peaceful life in Vermont comes to an abrupt halt.

First, their daughter Lillian arrives, with her two children in tow, to escape her crumbling marriage. Next, their son Stephen and his pregnant wife Jane show up for a weekend visit, which extends indefinitely when Jane ends up on bed rest. When their youngest daughter Rachel appears, fleeing her difficult life in New York, Ginny and William find themselves consumed again by the chaos of parenthood - only this time around, their children are facing adult problems.

By summer's end, the family gains new ideas of loyalty and responsibility, exposing the challenges of surviving the modern family - and the old adage, once a parent, always a parent, has never rung so true.


"What an intoxicating read! In The Arrivals, Meg Mitchell Moore takes on the age-old topic of parents and children and their children with a fresh perspective, a canny understanding of human emotion, and the absolute best dialogue I have ever read. Both charming and deeply meaningful, this is one book you must not miss."
―Elin Hilderbrand

"A tender portrait of a tangled, complicated, all-too real family, The Arrivals left me teary and fulfilled. A sparkling, page-turning debut."
―Allison Winn Scotch, New York Times bestselling author of The One That I Want, Time of My Life, and Department of Lost and Found

"With crisp, insightful prose, Meg Mitchell Moore examines the anxieties, intimacies, wounds, misunderstandings, and joys that bind the Owen family as they face one long summer together. This lovely, satisfying story is an absolute pleasure to read."
―Kelly O'Connor McNees, author of The Lost Summer of Louisa May Alcott

"Meg Mitchell Moore's debut novel, The Arrivals, reads like the finest of guidebooks, pointing out the beauty and excitement of an untraveled place, yet simultaneously offering readers a map of their own families, with the intricacies, misunderstandings, heartbreak, and forgiveness found there. Under Moore's deft and gloriously talented hand, the best kind of story telling is woven with epiphany, and readers will emerge knowing a place so close to home in an entirely new way."
―Siobhan Fallon, author of You Know When the Men Are Gone

"[A] promising debut...Moore finds a crisp narrative in the morass of an overpacked household, and she keeps the proceedings moving with an assurance and outlook reminiscent of Laurie Colwin, evoking emotional universals with the simplest of observations."
Publishers Weekly

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